THE LACANIAN SPLENDOUR OF ANTIGONE
She wants to bury her dead brother Polynices; King Creon forbids it.
The battle between Oedipus’ daughter Antigone (with her ethical and deadly desire) and Oedipus’ brother-in-law Creon (with his moral and uncompromising law) forms the dramatic arc of this Ancient Greek tragedy. Lacan devotes a section of Seminar VII, The Ethics of Psychoanalysis to the play, as follows:
THE ESSENCE OF TRAGEDY: A Commentary on Sophocles’ Antigone
Chapter XIX: The Splendour of Antigone
Chapter XX: The Articulations of the Play
Chapter XXI: Antigone Between Two Deaths
Lacan in Australia recently performed Sophocles’ Antigone in full, over two acts. Both recordings are available below. From September 2026, our weekly Reading Seminar turns to Lacan’s three chapters on Antigone in Seminar VII, The Ethics of Psychoanalysis. All welcome.
OUR CAST
Antigone – Stephanie Perera
Creon – William MacNeil
Ismene – Eva Sophie Reinhofer
Chorus Leader – Claire Baxter
Chorus – Hélène Malavieille
The Sentry – Shane McCauliffe
Haemon – Camilo Salazar
The Blind Prophet Tiresias – Èl
The Messenger – Krzysztof Sobkowicz
Eurydice – Eva Sophie Reinhofer
Understudies – Jean Matthee and Hani Al Rstum
PERFORMANCE RECORDINGS
Sophocles’ Antigone
Act I
Sophocles’ Antigone
Act II
Find our weekly Reading Lacan: Ethics information here
Find our current ‘Reading Freud: The Uncanny’ page here
Everything is free and open to all
Antigone and Ismene by Ebenezer Cobran Brewer, 1892
Poster design by Hani Al Rstum, 2026
